Sunburnt Country

Tracy Frost, 2025
Mixed media on canvas, gallery wrap edge, 76cm x 101cm x 5cm

The Story of Sunburnt Country

Australia is a land of extremes – parched earth that pulses with mineral wealth, horizons that blaze gold at dawn and dusk, and skies so vast they carry drought and promise in the same breath. Sunburnt Country is my tactile love letter to this continent: a single, resolute slab of texture and light that refuses to separate hardship from hope.

 The lower register is gritty and unyielding, the colour of mineral-rich soils after a thousand fires have passed. Here are the memories of cracked river beds and ancient seams of ore and opal that have sustained generations and will sustain more. A thin, deliberate band of gold slices the composition at the horizon, our collective future, catching the last light of every day. It is also the glint of wattle in spring, the flash of a prospector’s pan, the promise that what lies ahead is worth the burn.  Above, the sky is rendered in translucent acrylic glazes, washed and re-washed until it holds the darkness of a night riddled with stars, reminding us that we are all small beneath something immense and generous. This is a sky laden with possibility – rains that will come, ideas that will fall, dreams that refuse to stay grounded.

 Sunburnt Country asks the viewer to stand close enough to feel the grit under the glaze, to trace the gold with a fingertip, to look up and remember that every scorched plain carries its own quiet fortune. It is not a landscape to be looked at – it is a country to be touched, trusted, and carried forward.

 This piece won’t just hang on a wall; it will live in someone’s home like a quiet anthem. They’ll run their fingers over the grit and feel the red dust. They’ll catch the gold in the light and remember hope. They’ll look up at the sky and feel bigger than their room.

 I’m not just selling this painting. I’m handing over a piece of Australia’s heartbeat. And someone, somewhere, needs exactly that.

Note: this piece has been designed in such a way that welcomes human touch - it has been coated to withstand interaction, so the viewer is invited to experience this artwork visually and physically.

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